FRANKIE GOES TO HOLLYWOOD’s ‘Welcome To The Pleasuredome’ (ZTT) doesn’t quite fit together. The presentation, the sleeve notes, neither square with the group or their audience. The record, always a fine album track, is a bloated, self-important grand daddy of a single, more to do with the self-indulgence of early Seventies types than the vibrant, exciting, sensational scam that Frankie’s sales and Frankie’s marketing people tell us they are. It is in fact a beautifully executed piece of pomp and that has no part in the past, present or future as the full colour poster of this review might say. Disappointing.