ZANG TUMMM TUMB ARTICLES “the first draft of history”

Produced by Trevor Horn
Wembley Arena

☆☆☆

The bill of this celebratory charity concert resembles a Christmas nostalgia tour booked by lucky-dip, including drippy 1980s duo Dollar, Lisa Stansfield, Seal, the Pet Shop Boys, prog rockers Yes, Russian cod-lesbians Tatu and indie darlings Belle and Sebastian. Prince Charles is in the audience, possibly as the result of a nationwide search to find someone who hadnt heard of any of them.

Trevor Horns solitary hit as a vocalist, Buggles tinny Video Killed the Radio Star, is a bad start. He dons the turquoise Timmy Mallet spectacles he wore in the video: a sporting gesture, since they now make him look like Coronation Streets supermarket-managing lothario, Reg Holdsworth.

It is obvious why he swapped stage for studio — when he did, the results were frequently spectacular. In the 1980s, the Art of Noises Close (to the Edit) and Propagandas Dr Mabuse were singles so fashionable that owning them required a license personally signed by the editor of The Face. Tonight, despite an orchestra and platoon of backing vocalists, bad sound reduces their clever samples and epic atmospherics to a din.

Grace Jones does her usual impersonation of a woman evading a team of psychiatric nurses, but the majestic, languid funk of Slave to the Rhythm may be the best record Horn ever made. It is the evenings first hit.

ABC are the second. Singer Martin Fry mercilessly hams up The Look of Love and Poison Arrow, somehow managing a costume change between them. It doesnt matter: ABCs dramatically orchestrated white disco always had a whiff of the preposterous about it, and the songs still sound fantastic.

Frankie Goes to Hollywood do their best without vocalist Holly Johnson, but Relax and Two Tribes were always records rather than songs. Like much of Horns best work, they were designed as studio-bound production extravaganzas, not live showstoppers: a dichotomy that explains why such a star-packed show ultimately underwhelms.